Reshoots have fans worried.
Every movie schedules reshoots, but scuttlebutt is that Rogue One’s getting more than most, and that they’re happening because Disney wants more humor. That they want a “lighter” story and jokier dialog. Disney’s denied this, but studios always deny fans’ fears, right?
So are we facing a needlessly “family friendly” movie? Will Rogue One suffer the senseless humor of the prequels? To date, I haven’t been much concerned. Now, with the announcement of Alexander Freed as the author of the movie’s novel tie-in, I’m even less so.
Freed’s not an established name in Star Wars books. He’s a video game and comics guy. But his one novel, Star Wars: Battlefront: Twilight Company, is the best in the new Star Wars cannon. (It’s the only tie-in novel to make BuzzFeed’s list of the “24 Best Science Fiction Books of 2015.”) In fact, Twilight Company is quite likely the best written novel to bear the Star Wars name, and certainly the one that makes the best case for being just a good novel, even if you filed off all the Star Wars bits.
It’s also the most distinctive in tone — and that tone is what bodes well for Rogue One the movie. Disney had a ton of choices for the novelization. They could’ve turned to one of their regulars, like Alan Dean Foster. They could’ve chosen someone of bland competence, like Troy Denning. But they went with a guy who has only a single novel under his belt.
The thing that sents Twilight Company apart isn’t just the quality of its prose and dialog, though both are excellent. What sets it apart is its grown-up psychology, in contrast to most Star Wars novels, which tend to go for a style of what I’ll call “adolescent” psychology.